After the revolution in 1979, Iran prohibited the depiction of men and women touching on the silver screen. Since then, directors have relied on every cinematic trick in the book to mirror the ecstatic release of tension through touch – but often it is the game of glances that is enough to set a scene ablaze. Nazarbazi collages these saturated cinematic moments into a poem abou...
影像诗,剪辑和音效很特别
直抒伊朗电影审查中对爱欲表现的限制,以此表达伊朗社会的性别针对。found footage再编排,剪辑意识和声音意识值得学习,视线与动作的拼接创造了某种似哀歌的欲望。“When our eyes touch, is it day or is it night?”
the untouchable touch...
伊朗電影政策 身體
#70th MIFF#IFFR2022 短片老虎奖。
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